The costume was a replica of a medallion unearthed by archaeologists at Toprak Kale near Lake Van , which some 0years ago was the site of the capital of the Kingdom of Urartu. That is the main reason why after looking at the costume people immediately realized the social level of the wearer and in some cases could even identify some nuances such as the social class. See full list on ourarmenia.
The Armenian Taraz consisted of two main components: the upper part (a shirt, a jacket, a fur coat) and the lower back part (trousers, belt). The men’s shirt was long-sleeve with a collar decorated with embroidery.
Men wore a caftan over the shirt which was another important traditional attribute of men’s Taraz. The appearance without caftan in public places was unacceptable despite the hot weather. Their trousers were usually very loose and comfortable. A silver belt was regarded as a symbol of his maturity, whereas a golden belt showed his wealth.
The outer garment of women was quite diverse – dresses, jackets, and sleeveless clothes. The dresses were made of satin, silk, and velvet. The women’s clothing was decorated with embroidery.
The high-class members decorated their clothes with gold and silver fibers. Female accessories played a significant role. Pieces of jewelry were carefully kept and passed from generations to generations.
The lower parts of those trousers were made of more expensive texture. The main accessories were necklaces and silver bracelets. Western Armenian dress es were almost the same with minor differences (white shirt, apron, embroidery).
Embroidered fabric, which was one of the essential features of the national costume, besides the aesthetic function, had another, perhaps more important, ritualistic and protective significance. People believed that those embroidered fabrics and headdresses protected the. Medieval Armenian headdresses, unlike the ancient ones, had a simple structure. This practice can be met in the Urartian costumes as well. Women covered their heads with veils.
Medieval women did not cover their mouth as tight as it was accepted. Throughout the early middle ages, there was a tangible influence of Byzantine and Arab costumes within the Armenian elite. During the late middle ages, the traditional taraz partially reflected the cultural or tribal peculiarities of Turkish, Tatar and Kurdish conquerors.
In some provinces, the culture of wearing Taraz continued until the end of the 19th century after which European clothes came to replace the national costumes.
Another significant difference was that in all western provinces, the apron was a necessary attribute of the woman’s costume. It was tied to the waist, chest or the lower back. In the eastern provinces, men’s Taraz consisted of trousers, short shirts, and caftan. In the winter they usually wore beltless loose fur-lined overcoats and hats made out of lamb fur. In Western Armenia, the Taraz consisted of trousers decorated with embroidered elements, short sleeveless dresses, shirts with embroidered sleeves,.
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Of course, in the beginning, people wore very basically, functional clothing to keep warm and survive. Gradually, with the introduction of new textiles, dyes, and fasteners-clothing took on aesthetic values as well as being functional. The first basic materials used in Armenian clothes were wool and cotton. Before having their own silk production, Armenians imported silk from China.
The Taraz had many influences throughout the centuries. These influences helped shape the design of the Taraz. There is historic significance to the evolution of the national costume. We have been able to determine how clothing developed through surviving ancient frescoes and artwork. There are also written documents describing the clothes of the day.
These surviving records help to chronicle the historical development and artistic creativity of the Taraz. Colors were used for dying, depending upon the available pigments in the region. The colors used in the Armenian Taraz began to take on special significance.
By the 14th century, Armenian philosopher Grigor Tatevatsi explained the dominant elements of the Taraz. The black is of the earth, white is of the water, the red is of the air and yellow is of the flame. Later, purple was for wisdom, red for bravery, blue for heavenly justice and white for prudence. You could tell many things about the person who is wearing the Taraz. It would be possible, for example, to determine if the person is married or single by the color of the Taraz.
This is a very important function for a person wanting to attract a marriage partner. It indicated their wealth and the number. Taraz was adorned with jewelry that would have been passed down through the generations. The clothes would also be accented with silver necklaces and bracelets.
The final element of the costume was the headdress. A married woman would have a more elaborate tower covering half of her forehead. This tower would have ribbons with ornate geometrical designs embroidered on it. They tied their forehead with a ribbon, decorated with silver or gold coins, and fixed silver balls over her temples.
The headdress was held on with a few white headscarves. Ornate jackets and caftans would be layered on for protection from the cold. These various elements of the Taraz varied in different regions of Armenia.
Historical factors and local customs dictated the fabrics and accessories of importance. Over the shirt, they wore a caftan and a coat without fasteners. Sometimes they wore a coat of fur. Nowadays, you are not likely to see Armenians going about their daily life wearing their customary Taraz. The good news is that design elements of their national costume have found their way into their current fashion.
They serve as an accent and a reminder of their rich past. Today, the only use of traditional Armenian Taraz is presented to the public via folk and national dance groups. No matter where they are, they dance with these beautiful costumes and present Armenian history and the culture abroad. But these common accessories are far from the only interesting items in the Armenian folk attire. Various jewelry was an inseparable part of the costume.
Armenian traditional dress is inseparable part of Armenian culture. They used to put silver necklaces with coins, numerous bracelets, bangles and rings. They are just perfect wives as they. Armenian women are good for marriage as they have strong family values. It consists of a loose-fitting dress with a slit on the chest and the sides.
The colors of this typical dress are usually black, white, re and yellow. In the past, Armenian folk dress could indicate the region of origin, social class, marital status. Traditional Armenian dress is so colorful and has many varieties. Armenian costumes for women are believed to be dated back to the Urartu era. It reflects the rich cultural tradition of the country and its very long history.
Since then the traditional dresses of Armenia are designed with creamy white silk, embroidered with gold thread. High quality Armenia inspired dresses by independent artists and designers from around the world. In winter, they add a warm fur-coat or woolen coat made from sheepskin and goat fur. The traditional Armenian dress is so colorful, beautiful and elegant.
The shirt is not snow-white. Taraz is the name of their traditional dress , which is one of the traditional elements of Armenian. Excessive showing of cleavage, tight wedding gowns, or wedding dresses with hems above the knee are discouraged.
Modesty in sexuality is an Armenian cultural trait. The crown is shaped like wings and covered with feathers which symbolises a dove. Doves are an important part of an Armenian wedding, with these birds released during the reception to show love and fortune throughout the newlywed’s married years. Armenian parents are known to be protective, and it’s very common for adult children to live at home until they get married or possibly even for the rest of their lives. Parents usually pay for education, marriage, and all of their children’s other life events, which is a concept that might be completely foreign to many people from the.
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